Charles Hecht
WRITINGS EXHIBITIONS

China Diary #7


Day Three


On Monday, I rode my electric bike to the local bank to pay the telephone bill for the Internet connection and to put more money into my cell phone. I also needed to find a place to repair the front brake. The bank did not until 9:00 AM., but there was already a long line. I saw people going up to get a number from a machine outside the main entrance, so I followed suit and took a number too. Unfortunately, unlike the Bank of China, this bank did not have an electric sign showing which number was next, which meant I had to listen carefully and keep my eye on the person who had taken a number just before me. It was very cold, so I decided to buy a wool hat keep me warm when I rode my bicycle. Back home, I dictated the beginning portions of the diary and reviewed the drawings I made the night before. Before lunch I decided to visit the Spanish artist Ramon Roig, who was on a three-month artist in residence program at New York Arts. He thought it was an unbelievable experience and he and his wife were already planning to come back to Beijing. When I visited, he was waiting for a photographer to shoot his large oils for an upcoming show in Shanghai.

I then went back to my studio to get ready for lunch. But just as I was leaving, Li Gang’s assistant arrived with a driver to take me to the Central Arts Academy for the two o’clock opening of the chair show. They were an hour and a half early. I figured we were having lunch first, but I was mistaken. We went to Tracy Heneberg’s show first. Although, it was showing the same pieces that I had seen the day before, I enjoyed them all the same.

An Iranian film maker living in Sydney joined us. Mamoud was very interesting and had a very dry, excellent sense of humor. Li Gang then took us on a tour of some of the facilities at the Central Academy, such as the metal shop, the ceramic facilities and the bronze casting facility. He had originally designed the metal shop. One of my projects on this trip was to design and begin installing equipment for the metal shop portion of my studio.

We then went to the chair exhibit at a gallery next to the student bookstore. Every inch of the student bookstore was crammed with people looking at art books to buy. The show was supposed to open at 2:00 p.m., and there were hundreds of students waiting to get in. However, there were welcoming speeches by dignitaries that preceded the opening of the exhibit for the general public. I was very tired and wanted a place to sit, but there was nowhere I could do so. Mamoud and I had a wide-ranging discussion on creating art. At about 2:30 they opened the show. There were a number of interesting chairs in the exhibit. Two of the pieces were chairs with no seats, others were very sleek and others definitely made statement. Eventually people began to sit in some of the chairs. Some were very comfortable, but many were not. One interesting idea was a group of small bullet shaped metal magnets that molded itself to different shapes depending on who sat on the chair. Li Yonglin’s concept was quite interesting. Also she brought her five-month-old son to the show. Mamoud wanted to leave at about 3:30 p.m. and Gang wanted to go to the print shop. I opted to join Mamoud for a ride home. A nap was definitely in order.

Dagao and Grace came over at about 5:30 p.m. After a nice visit, we went to the remodeled Beijing duck restaurant about a mile walk from my studio. They are thinking of buying an apartment in Beijing because they are tired of renting, and are not happy with their apartment which is in an older building. We discussed the real estate market in Beijing. Both of them feel that the market will only get stronger. All of the good universities are located in either Beijing or Shanghai. Upon graduation most of the students prefer to stay in these two cities, rather than relocating to a smaller city, even if the pay is more. These two cities have the best opportunities and the most to offer. The walk home was invigorating. Even with no streetlights, the streets feel safe. I returned to the studio to sketch some more ideas before calling Leslie. My first two calls did not go through on Skype. I tried one more time and then went to bed as I was very tired. As I drifted off to sleep, Leslie called me. It was great to hear her voice, but I was so exhausted that I was incoherent. I felt badly because we have not spoken since I left New York City.

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© Copyright 2007
Charles Hecht